Film: Love U Bangaram
Rating: 1.5/5
Banners: Creative Commercials, Maruthi Productions
Cast: Rahul, Sravya, Rajeev, Muralikrishna, Ravi, Sanjjanaa and others
Music: Mahit Narayan
Cinematographer: Arun Surapaneni
Editor: S B Uddhav
Director: Govi
Producers: Maruthi, Vallabh



Story

Akash (Rahul) is a loner with very little of fearlessness and he runs into Meenakshi (Sravya), a striking young lady. They fall head over heels in love, get hitched against their senior citizens wishes. All is euphoric till Meenakshi accepts a vocation and an occurrence plants suspicion in Akash's personality. In any case is truly Meenakshi upto something? Then again is Akash simply envisioning? All that structures whatever is left of the story.

Exhibitions

Rahul has fitted well as his regular non-verbal communication suited for the given part. He can grow up well in his vocation if plans right with his parts.

Sravya was liberal with her skin demonstrate and paraded all conceivable bends to allay the masses. The way that she is not alluring was concealed by her overflowing sex claim and striking skin show.

Rajeev was short, Ravi was able, Muralikrishna made his vicinity felt, Sanjjanaa was crotchety in thing tune. The performer who did the part of FB figured out how to get few grins. Others didn't get much scope.

Highlights

 Sravya's visual dining experience

Inconveniences

 Perverted storyline

 Weak screenplay

 Overload of desire

 Poor specialized qualities

 Lot of drag

Dissection

The minute one sees Maruthi's name on a film, it alarms the bad-to-the-bone masses in light of the fact that they realize that they are in for some visual treat and crappy exchanges which display corruption and sexual desire in exceptional amount.

However this time, even they may feel a bit gagged taking a gander at this film.

It is additionally astounding to see a presumed flag like Creative Commercials collaborating for such a modest flick.

Anyways, returning to the film, truly Maruthi has tapped the offering purpose of silver screen is multifaceted nuance exchanges and plots loaded with corruption yet there is a farthest point and line to be drawn. He may well be the maker however his hand and quality in the film is seen quite unmistakably.

A programming organization where each worker is having additional conjugal undertaking with an associate, young ladies smoking and young men drinking to brilliance at their work area, supervisor taking a gander at each young lady salaciously, not certain where such societies are followed in Corporate circuit.

Just the workplace kid is the smartest and sensible in that.

The idea of coercing for fulfilling sexual necessities of a few psychos is okay yet there is an approach to present it, the credibility angle is less and it reflects a greater amount of the executive and maker's mind than the character in the film.

The beginning couple of scenes of the film are to some degree stimulating and there is some conventionality in the sentiment. Be that as it may inside no time, the Boothu variable stirs and takes the film to a completely diverse level. By interim, the film grounds into the risk zone.

The second half takes it to the top of sexual perversion and there is excessively of cynicism which is difficult to be took care of by the crowd.

The main in addition to for this is the skin show of the brave woman and those obscene imageries which the C-grade group of onlookers may join with.

In general, it is humiliating and exhausting for the group of onlookers to experience the entire trench of desire and sexual corruption.

Bottomline: Weird and extreme to process

Love U Bangaram: No Love...Only Lust

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